Research

Call for Abstracts: ICA Preconference on "Echoes and Overlaps in Arab and African Thought on Media and Culture"

Nathan Schneider — Wed, 23 Oct 2024 15:44:43 +0000

Call for Abstracts: ICA Preconference on "Echoes and Overlaps in Arab and African Thought on Media and Culture" Nathan Schneider Wed, 10/23/2024 - 09:44

Nabil Echchaibi

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Hear Stories from Our Collaboration with StoryCorps

Anonymous — Thu, 07 Dec 2023 22:54:23 +0000

Hear Stories from Our Collaboration with StoryCorps Anonymous (not verified) Thu, 12/07/2023 - 15:54 Nandi Pointer , Nathan Schneider , Matau Setshase

Thanks to a collaboration with StoryCorps and Georgetown University’s Berkley Center for Religion, Peace, and World Affairs, we hosted the recordings of dialogues on religion and culture in Colorado in November 2023. These stories exhibited some of the diversity of religious idenity and perspectives in our community, including among CMRC fellows themselves.

Listen on the StoryCorps website

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RHYTHMS Fall 2023: Concepts under Repair

Anonymous — Tue, 21 Nov 2023 03:13:21 +0000

RHYTHMS Fall 2023: Concepts under Repair Anonymous (not verified) Mon, 11/20/2023 - 20:13

The second issue of the Center for Media, Religion, and Culture’s pamphlet series, RHYTHMS, is now available.

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The Third Spaces of Digital Religion

Anonymous — Mon, 20 Mar 2023 06:00:00 +0000

The Third Spaces of Digital Religion Anonymous (not verified) Mon, 03/20/2023 - 00:00

This exciting volume explores how religious meaning is generated and performed in our present digital media ecosystem. It uses the spatial metaphor of a third space to visualize the mobility of everyday religion and to explore the dynamic ways in which contemporary subjects imagine, produce, and navigate new religious and spiritual places.

Comprised of seven original essays, this book provides a rigorous discussion of the complex intersections of the digital and religion, demonstrating how third spaces of religion stand out by virtue of their in-betweenness. They exist between private and public, between institution and individual, between authority and individual autonomy, between large media framings and individual "pro-sumption," and between local and translocal. Including probing analysis of how Muslim, Catholic, and Neo-Pagan identities are cultivated and developed online, case studies reflect on the creative outcomes of this condition of in-betweenness and the emergence of other places of religious and spiritual meaning.

Blending theoretical analysis with grounded empirical research, this book is essential reading for students and scholars of contemporary religion, media and religion, sociology of religion, religion, and popular culture.

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Rhythms Launch: Why Do You Write?

Anonymous — Sun, 30 Oct 2022 07:00:00 +0000

Rhythms Launch: Why Do You Write? Anonymous (not verified) Sun, 10/30/2022 - 01:00

On 11/30/2022, the Center for Media, Religion and Culture will host an event at Ice Overlook in the CU Rec Center to celebrate the launch of our new publication, Rhythms.

Last year, the fellows of the Center for Media, Religion and Culture, challenged themselves with a provocative question: Why Do You Write? We set out to probe the motivations behind our scholarship and creative work, the commitments that animate our teaching, and the aspirations that guide our engagement with the world. Our slow and wandering conversations grew richer and immensely affirming as they turned to haunting questions about the (in)accessibility of our writing, the (in)audibility of our thinking, the utility of our modes of gathering, the exhaustion of our will, and the urgencies of our times. “Why we write” became a rallying prompt to ask much broader questions about our academic habits and rhythms in urgent times. When the roof is on fire, we asked, why do you write?

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RHYTHMS Fall 2022: Writing in Times of Urgency

Anonymous — Sun, 23 Oct 2022 06:00:00 +0000

RHYTHMS Fall 2022: Writing in Times of Urgency Anonymous (not verified) Sun, 10/23/2022 - 00:00

Nabil Echchaibi , Nathan Schneider

The first issue of the Center for Media, Religion, and Culture’s pamphlet series, RHYTHMS, is now available.

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Public Religion and Public Scholarship in the Digital Age

Anonymous — Tue, 01 Jan 2019 07:00:00 +0000

Public Religion and Public Scholarship in the Digital Age Anonymous (not verified) Tue, 01/01/2019 - 00:00

Supported by a $500,000 grant from the Henry Luce Foundation, the Public Scholarship Project will assemble an interdisciplinary working group which will meet regularly and collaborate over a period of three years. The project Working Group includes prominent scholars from a variety of fields and disciplines. During this time, they will develop new ways of studying and understanding religion in the digital age. “It’s not just about the way religion is being made and re-made through modern media, it is also about how we can use digital media as scholars and professionals to transform our work,” said Deborah Whitehead of CU’s Department of Religious Studies, one of the project’s directors. “Our Working Group is made up of people who can contribute a great deal through their own research, but who can in turn have influence in the academic world to change the way Universities think about and do research on religion,” notes Hoover.

The Project will work directly on that goal by holding faculty and student “best practice” workshops in its final year and developing a “white paper” of recommendations to colleges and Universities, Hoover added. Alongside their research efforts, the project’s team will develop a new web platform designed specifically for academic collaboration, idea development, and multi-platform communication, including digital, print, video, and interactive forms.

“We’re particularly excited about this project because it takes such excellent advantage of the resources in our new College of Media, Communication, and Information at CU,” said Lori Bergen, CMCI Dean. “We have faculty and students across our departments who will be really interested teaming up with this Project’s Working Group in its important efforts.”

The Working Group will also interact with wider networks of academics and practitioners, hosting seminars and workshops on the Boulder campus and at relevant meetings that will engage important innovators in journalism, creative arts, digital practice, and public education. “Religions today exist to the extent that they exist in the media,” said Center Associate Director Nabil Echchaibi. “It is simply the case that to understand religions today we have to understand how they are mediated, how they use media and how they are understood through media. We all know that there is more religion in public all the time. That automatically means media.”

Interdisciplinary Working Group Members

Sarah Banet-Weiser is Professor and Director of the School of Communication at the Annenberg School for Communication and Journalism at the University of Southern California. She is the author of The Most Beautiful Girl in the World: Beauty Pageants and National Identity (1999); Kids Rule! Nickelodeon and Consumer Citizenship (2007); and Authentic™: The Politics of Ambivalence in a Brand Culture (2012). She is the co-editor of Cable Visions: Television Beyond Broadcasting (2007) and Commodity Activism: Cultural Resistance in Neoliberal Times. She is currently finishing a book on the dynamic relationship between popular feminism and popular misogyny, Empowered: Popular Feminism and Popular Misogyny in an Economy of Visibility (Duke University Press, forthcoming), as well as a co-edited anthology on post-race and cultural politics. She is currently the co-editor of the journal Communication, Culture & Critique.

Anthea Butler is Associate Professor of Religious Studies and Africana Studies at the University of Pennsylvania. She is the author of Women in the Church of God in Christ: Making A Sanctified World with The University of North Carolina Press.

Professor Butler’s career as a scholar, public intellectual, and professor embraces academy, the public and the church in various forms. From starting her public writing as a blogger for Religion Dispatches, she now writes opinion pieces on contemporary politics, religion, and race at The Guardian, Washington Post, and the New York Times. She has also been a media commentator on religion politics and race on the BBC, MSNBC, CNN, and ABC. She has also served as a consultant to the PBS series God in America and the American Experience on Aimee Semple McPherson. A historian of American and African American religion, Professor Butler’s research and writing spans religion and politics, religion and gender, African American religion, sexuality, media, religion, and popular culture. She is currently completing a book on Evangelicals, Politics, and Race, and is starting work on a project on reading, race and religion in the 19th Century.

Nabil Echchaibi joined CU in 2007. In 2014, he won the Edward R. Murrow Award for Teaching.

He specializes in identity politics among young Muslims in the Arab world and in diaspora. His work on diasporic media, Islam and modernity has appeared in a number of scholarly books and research journals such as Javnost, International Communication Gazette, Journal of Intercultural Studies, Nations and Nationalism, Journal of Arab and Muslim Media Research, Media Development. His articles have also been featured in the Guardian, Salon Magazine, USA Today, The Huffington Post, GEO and Religion Dispatches.

Echchaibi is currently writing his book Unmosquing Islam: Muslim Media and Alternative Modernity. Drawing from a multidisciplinary theoretical literature in sociology, history, anthropology, media studies, religious studies, this book seeks to analyze the impact of Muslim popular and everyday narratives of and responses to modernity in a larger context of how Muslim subjects imagine and deploy multiple frames of reference in their path toward an “authentic” and “purposeful” modernity. His book Voicing Diasporas: Ethnic Radio in Paris and Berlin Between Culture and Renewal (Lexington Books) was published in 2011. His co-edited book International Blogging: Identity, Politics and Networked Publics (Peter Lang) was published in 2009.

Echchaibi recently directed a project funded by the Social Science Research Council, which compiled a cultural history of Muslims in the Mountain West region. The project has produced an interactive Web resource, and a documentary film will be released in 2015. He previously taught at the University of Louisville, Indiana University-Bloomington and Franklin College in Switzerland, where he helped set up the international communication department. A native of Morocco, Echchaibi earned his BA from Mohammed V University in Rabat and his MA and PhD from Indiana University-Bloomington.

Christopher Helland is Associate Professor of Sociology of Religion at Dalhousie University, Canada. Helland's research focuses upon religion in contemporary culture from a sociological perspective. His primary work examines the impact of the Internet and World Wide Web on a variety of religious traditions and practices. This research examines the role of new media in relation to issues of religious authority and power, religious information seeking behavior, ritual practices, and even changing belief systems. His most current research project is investigating the effects of computer-mediated communications on diaspora religious groups. Helland has also been active in studying online gaming and the cultural aspects of this new form of social activity. He is currently a co-investigator for a multi-year study examining religion and diversity in Canada.

Some of his current publications include: Virtual Religion: A Case Study of Virtual Tibet. Oxford Handbooks Online. Oxford University Press; "Virtual Tibet: Maintaining Identity through Internet Networks" in Gregory Grieve and Danielle Veidlinger (Eds.)The Pixel in the Lotus: Buddhism, the Internet, and Digital Media. Routledge; "Ritual" in Heidi Campbell (Ed.) Digital Religion: Understanding Religious Practice in New Media Worlds. Routledge; "Online Religion in Canada: From Hype to Hyperlink" in Lori Beaman (Ed.). Religion and Canadian Society: Traditions, Transitions, and Innovations. Canadian Scholar’s Press.

Stewart M. Hoover is a professor in the Department of Media Studies and professor adjoint in the Department of Religious Studies and is director of the Center for Media, Religion and Culture.

A specialist in media audience studies, he is an internationally recognized expert on media and religion and has consulted, lectured or conducted research in eleven foreign countries. His research ranges from legacy to digital media and across a wide range of cultural and social effects and uses of contemporary media. He is author or editor of 12 books and numerous articles and has taught graduate and undergraduate courses on contemporary media cultures, media history, theory and research.

Hoover holds a master’s and PhD from the Annenberg School for Communication at the University of Pennsylvania and has received awards for his scholarship, service and teaching.

Marwan Kraidy is the Anthony Shadid Chair in Global Media, Politics and Culture and Director of the Center for Advanced Research in Global Communication, at the Annenberg School, University of Pennsylvania. In 2016, he was named an Andrew Carnegie Fellow for ongoing work on war machines in the age of global communication. The recipient of Guggenheim, NEH, ACLS, Woodrow Wilson and NIAS fellowships, Kraidy has published 120 essays and 10 books, including Hybridity, or the Cultural Logic of Globalization (Temple UP, 2005), Reality Television and Arab Politics (Cambridge UP, 2010), which won three major prizes; and The Naked Blogger of Cairo: Creative Insurgency in the Arab World (Harvard UP), Global Media Studies (w Toby Miller, Polity), and American Studies Encounters the Middle East (w Alex Lubin, University of North Carolina Press), all in 2016. Kraidy has been the Edward W. Said Chair of American Studies at the American University of Beirut, the Chaire Dupront at the Sorbonne, and the Bonnier Professor at Stockholm University. A frequent media contributor, Kraidy tweets at @MKraidy.

Mirca Madianou is Reader (Associate Professor) in the Department of Media and Communications at Goldsmiths, University of London where she works on the social uses of communication technologies in a transnational and comparative context. Her work makes theoretical and substantive contributions to the areas of migration, disaster recovery, humanitarian relief and their intersection with digital technology. She has directed two ESRC grants: Humanitarian Technologies and Migration, ICTS and transnational families which have led to several publications on the social consequences of new communication technologies among marginalised and migrant populations. She is the author of Mediating the Nation: News, Audiences and the Politics of Identity (2005) and Migration and New Media: Transnational Families and Polymedia (2012 with D. Miller) as well as editor of Ethics of Media (2013 with N. Couldry and A. Pinchevski). From May 2017 she will be Chair of the Philosophy, Theory and Critique division of the International Communication Association (ICA).

Peter Manseau is the Lilly Endowment Curator of American Religious History at the Smithsonian Institution's National Museum of American History. He is the author of six books including the memoir Vows, the novel Songs for the Butcher’s Daughter, the travelogue Rag and Bone, and the retelling of America's diverse spiritual formation One Nation, Under Gods. He lives in Annapolis, Maryland.

Nathan Sc hneideris a scholar in residence of media studies and a reporter who writes about religion, technology and resistance. His current project is an exploration of models for democratic ownership and governance for online platforms in the wake of a major conference he co-organized at the New School in 2014, Platform Cooperativism.

He is the author of two books, God in Proof: The Story of a Search from the Ancients to the Internet and Thank You, Anarchy: Notes from the Occupy Apocalypse, both published by University of California Press. His articles have appeared in The Chronicle of Higher Education, The New Republic, Harper’s Magazine, The Nation, The Catholic Worker, Religion Dispatches and other outlets. He writes a column for America, a national Catholic weekly, as well as a finance column Vice magazine. Media appearances have included The Takeaway, Democracy Now, On Being, HuffPost Live and The Brian Lehrer Show.

As an editor, Schneider co-founded the news website Waging Nonviolence and helped relaunch the online literary magazine Killing the Buddha. He has also helped organize projects with the Social Science Research Council about religion and media since 2008, including The Immanent Frame and Frequencies.

Schneider holds two degrees in religious studies, a master’s from the University of California, Santa Barbara and a bachelor’s degree from Brown University.

Jenna Supp-Montgomerie is an assistant professor of religion and media jointly appointed in the departments of Religious Studies and Communication Studies at the University of Iowa. Her research examines the appearance of religion in the negotiation of technological change. She is currently working on a book about the vital but obscured role of disconnection in network infrastructure. Her study focuses on the dramatic failure of the first attempt to build a global electric communication network. In 1858, the Atlantic telegraph cable was strung across the ocean and went dead in less than a month. During the transatlantic telegraph’s short life, Americans issued enthusiastic, religiously inflected declarations of a world unified by communication despite overwhelming evidence to contrary. This persistent imaginary of network connection animates American dreams of global community to this day.

Sarah McFarland Taylor is an associate professor of Religious Studies and award-winning author, specializing in the study of media, religion, and culture; religion and the environment; and American culture and consumerism. Taylor also teaches in Northwestern’s Program in Environmental Policy and Culture and in the American Studies Program. She holds a Bachelor's degree from Brown University, a Master's degree from Dartmouth College, and she earned her doctorate in Religion and American Culture from the University of California, Santa Barbara. She has recently completed an additional advanced degree in “Media History, Philosophy, and Criticism” in the Graduate School of Media Studies at The New School for Public Engagement.

Her second and most recent book, Ecopiety: Green Media and the Dilemma of Environmental Virtue (NYU Press November 2019) analyzes diverse representations of environmental moral engagement in contemporary mediated popular culture. Taylor identifies and explores intertwining, co-constitutive, yet contrary, stories of what she terms “ecopiety” and “consumopiety” as they flow across multiple media platforms.

Taylor's project for the interdisciplinary working group focuses on research for her third book project, Selling Planet B: Marketing Mars, Migration, and Manifest Destiny. This book explores and analyzes mediations of extraterrestrial earth escape fantasies in the contemporary media marketplace. In particular, the project examines billionaire technocrats who have tapped into both historically embedded narratives of “manifest destiny” and contemporary otherworldy popular apocalyptic narratives that currently thrive in U.S. culture. Taylor intervenes in the "earth escape" rhetoric that pervades Mars marketing and argues instead for "reinhabiting" alternatives that spark greater civic and earthly planetary engagement.

Deborah Whitehead is assistant professor in the Department of Religious Studies and Senior Research Fellow with the Center for Media, Religion, and Culture at the University of Colorado, Boulder. She holds a doctorate in religious studies from Harvard University (2006) and MA and BA degrees in religious studies and philosophy from Florida State University. She is author of William James, Pragmatism, and American Culture (Indiana University Press, 2015). Her research interests include the work of William James, American philosophy and theology, U.S. religious history, religion and media, religion and popular culture, and religion, gender and sexuality. She is author of several articles on these topics and is currently at work on her second book, Christian Evangelicals and Digital Media: The Mediated Gospel in America, with Routledge. She is co-chair of the Women and Religion Section of the American Academy of Religion, steering committee member for the Religion, Media and Culture and Pragmatism and Empiricism in Religious Thought Groups at the AAR, and editorial board member of the Journal of Feminist Studies in Religion.

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Does God Make the Man?: Media, Religion, and the Crisis of Masculinity

Anonymous — Fri, 02 Oct 2015 06:00:00 +0000

Does God Make the Man?: Media, Religion, and the Crisis of Masculinity Anonymous (not verified) Fri, 10/02/2015 - 00:00

By Stewart M. Hoover and Curtis D. Coats

Many believe that religion plays a positive role in men’s identity development, with religion promoting good behavior, and morality. In contrast, we often assume that the media is a negative influence for men, teaching them to be rough and violent, and to ignore their emotions. In Does God Make the Man?, Stewart M. Hoover and Curtis D. Coats draw on extensive interviews and participant observation with both Evangelical and non-Evangelical men, including Catholics as well as Protestants, to argue that neither of these assumptions is correct.

Dismissing the easy notion that media encourages toxic masculinity and religion is always a positive influence, Hoover and Coats argue that not only are the linkages between religion, media, and masculinity not as strong and substantive as has been assumed, but the ways in which these relations actually play out may contradict received views. Over the course of this fascinating book they examine crises, contradictions, and contestations: crises about the meaning of masculinity and about the lack of direction men experience from their faith communities; contradictions between men’s religious lives and media lives, and contestations among men’s ideas about what it means to be a man.

The book counters common discussions about a “crisis of masculinity,” showing that actual men do not see the world the way the “crisis talk” has portrayed it—and interestingly, even Evangelical men often do not see religion as part of the solution.

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Finding Religion in the Media

Anonymous — Wed, 01 Jan 2014 07:00:00 +0000

Finding Religion in the Media Anonymous (not verified) Wed, 01/01/2014 - 00:00

The Center for Media, Religion and Culture completed a study funded by the Ford Foundation on the ways religion is represented, experienced and understood through the media today. The project, entitled “Finding Religion in the Media,” explored the extent to which religious belief, practice and action—particularly that directed at social reform and social change—can be generated in and through the media sphere.

The research included three primary efforts. First, it located the evolving religious-media marketplace and developed a taxonomy of contemporary sources, locations, and practices of mediated religious meaning-making. Some of this turf is obvious. The formal media and the institutional sources of religious information remain visible in the public sphere. The informal presence of religion in popular and entertainment media was also charted as part of this process. The research then looked beyond these to less visible developments and locations of religious mediation, including a necessary emphasis on the digital and online environments, which are increasingly important to diverse demographic interests and activism, such as that of youth, women, immigrant, disability and LGBT interest communities. Second, the research looked at the evolving practices of user-generated media in order for our taxonomy to reflect the ways in which such activities become established in the media sphere. And third, based on these descriptions, the project moved on to in-depth studies of representative cases. Interviews were conducted with the producers of key online sources to address questions of the ways that religious interests and impulses must accommodate themselves to the demands of these new media forms and contexts.

The “third spaces” concept has been central to the Finding Religion in the Media project. As developed by Hoover and Echchaibi, this concept serves as an interpretive tool to highlight what we call a “thickening” of the religious experience beyond dichotomous definitions of both religion and media categories. Digital spaces have opened up opportunities to theorize the production of meaning across hybrid spaces. Digital media reflect and narrativize life experiences and the center has done so by looking specifically at case studies of the way religion and the religious is articulated and contested online. The research was framed around the novelty of technologies that leads us to adopt a hierarchical indexing of what constitutes an authentic experience of belonging and belief, outside of dichotomies of traditional/modern, physical/digita, and real/proximal embodied experience. The impulse to define how and why we communicate, drawing boundaries between various technological media leads to problematic understandings of complex user identities. The third spaces concept argues that theories of ritual, religion, media and communication benefit from an analysis of how meaning is produced and performed at the borderlines of a complex ecosystem of media ensembles and hybrid spaces.

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Third Spaces Blog

Anonymous — Wed, 13 Feb 2013 07:00:00 +0000

Third Spaces Blog Anonymous (not verified) Wed, 02/13/2013 - 00:00

The Center for Media, Religion and Culture is pleased to launch the Third Spaces Blog as a place to survey and reflect on contemporary mediations of religion and spirituality. Much of what we know of the “religious” is at least present in, if not actually generated in and by, the media and processes of mediation. The media landscape is rich with examples of religion and things that are charged with religious meanings. Film, music, gaming, television, smart phones and social media are significant spaces where the “religious” is produced, consumed, negotiated and remediated. As such, we are not interested in the study of religion solely in terms of the technical properties of the media and their impact on the religious experience. We look at these media as complex texts of social practice that produce their own spiritual repertoire, discursive logics, aesthetics of persuasion and architecture of circulation. In doing so, we go beyond the study of religion solely in terms of the technical properties of the media and their impact on the religious experience.

We called our blog Third Spaces as a reference to a working theoretical concept our center is developing to understand better the particularities of the lived and mediated experience of religion and spirituality today. The blog highlights how meaning is made, manifested and re-made through the affordances of changing media technologies. These spaces that allow for interrogation outside of fixed boundaries of the offline or online allow for negotiation of religions practice. Our group research blog explores these fascinating concepts while paying attention to the way religion and media migrate into new realms.

We hope this blog will become a dynamic discussion forum where research fellows of our center share examples of case studies and key findings from their research projects. We also hope to engage the larger community of scholars, religion practitioners and media professionals who are interested in the growing and creative intersections between religion and the media.

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