CU Students Build All-Electric Frisco House and Win Solar Decathlon

Anonymous — Fri, 02 Jul 2021 06:00:00 +0000

CU Students Build All-Electric Frisco House and Win Solar Decathlon Anonymous (not verified) Fri, 07/02/2021 - 00:00

Grace Dearnley

Since 2017, a team of 30 ��ƷSM��ӰƬ students and faculty has worked to build an all-electric house in one of the coldest towns in the lower 48 states: Fraser, Colorado. They completed the 1,176-square-foot project in April.

The world took notice.

In April 2021, they won first place in the U.S. Department of Energy’s Solar Decathlon Build Challenge, an international competition challenging participants to design and build a functional house that creatively solves real issues within the building industry. In addition to the first-place win, CU took first in three of the 10 judged events — innovation, market potential and architecture.

As high living costs in mountain towns deter potential residents, team leaders Gabi Abello (Engr’20) and Hannah Blake (Engr’20) wanted to tackle energy efficiency and affordability in mountain homes.

With heat pumps, solar panels and an attached rental unit to supplement income, the SPARC house (Sustainability, Performance, Attainability, Resilience and Community) functions at net-positive energy efficiency, even selling solar energy back to the local power grid.

The team is perhaps most proud that the house is now a home to residents Kristen Taddonio and Joe Smyth. “It’s just awesome to be able to wake up in the morning and look out and see mountains and to be here,” Taddonio told ��ƷSM��ӰƬ Today. “It’s just a dream come true.”

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Photo courtesy ��ƷSM��ӰƬ

Since 2017, a team of 30 ��ƷSM��ӰƬ students and faculty has worked to build an all-electric house in Fraser, Colorado.

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The Art of Experience

Anonymous — Fri, 01 Sep 2017 08:09:01 +0000

The Art of Experience Anonymous (not verified) Fri, 09/01/2017 - 02:09

Christie Sounart

Jim Doyle (Thtr’78) knows how to turn a space into a spectacle.

The Academy Award-winning special effects guru masterminded the water-dancing Fountains of Bellagio in Las Vegas, the volcano outside the Mirage hotel nearby and the flame cauldron for the 2002 Winter Olympics in Salt Lake City.

Soon he’ll be guiding a new generation of thrill-producers as an adviser to a pioneering new ��ƷSM��ӰƬ master’s program that blends elements of theatrical, lighting and graphic design with aspects of architecture, landscape architecture and engineering.

Fully approved by the Board of Regents, the master’s in experience design is preparing to enroll its first students next year. It’ll be among the only academic programs of its kind — and a timely addition, as venues aim to add bits of Hollywood and theme park magic to their sites.

“More and more we are being asked to provide these design services to areas where entertainment was normally not thought of a few years ago,” said Doyle, director of technical resources at Los Angeles’ WET Design. “Where do you get people who have some sort of education in this? You can’t.”

CU plans to fill the void by educating versatile designers who can transform uninspired or static spaces at hotels and zoos, on cruise ships, in parks, shopping centers and Federal Reserve banks — almost any place that hosts lots of visitors — into visceral, dynamic environments.

“The experience design industry has indicated that the abilities to think through projects, to collaborate effectively and to communicate eloquently are the qualities most lacking among aspirants to their field,” said Bud Coleman, the former ��ƷSM��ӰƬ theater and dance department chair who has led development of the new degree. “Our main objective is to train a process of thinking.”

Over four continuous semesters, students will develop skills in communication, modeling, scenic art, dramaturgy and design technology, for example. They’ll also do group projects, devising their own solutions to assignments faced by real-world design firms. And they’ll complete internships with firms like Doyle’s while developing portfolios.

Few other universities have similar programs, according to Coleman. Savannah College of Art and Design offers an MFA in themed entertainment design, for example. Columbia and Carnegie Mellon offer degrees in aspects of entertainment technology.

Doyle — who won a 1992 Academy Award for technical achievement — and Dave Cooperstein of PGAV Destinations, an architecture and planning firm whose clients include Sea World, NASA and Busch Gardens, have signed on as early industry advisers. The program will draw heavily on faculty and instructors from CU’s theater and dance, environmental design and engineering programs.

“Having someone that has the knowledge and understanding of the collaborative process is incredibly valuable,” said Cooperstein, who designed China’s Chimelong Ocean Kingdom, one of Asia’s top theme parks. “Those are the types of people we can put in a brainstorming session and they can help design an experience no one has ever done before.”

Incoming students will represent a wide range of talents. Coleman and program director Bruce Bergner, a theatrical scene designer and artist, expect a meld of creative students who range from novelists and cooks to artists and engineers.

When they graduate, they’ll be on a path blazed by Jim Doyle.

“Once people figure out this exists,” he said, “you’ll have people all over the world who will want to hire them.”

Illustration by Rod Hunt

Soon there'll be a degree for that.

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